What does American Gothic fiction tell us about culture-specific anxieties and repressed desires of the young American nation? How did women, non-white, and queer writers influence the development of the short story in the US? What makes Moby Dick a "classic" of the American literary canon? Is Shakespeare still Shakespeare if his King Lear is suddenly King of Texas and a cowboy?
These are only some of the questions up for discussion in this winter term's courses. You can find an overview of the coursesand a detailed description of the course contentson our website.