Claudia Ott studied Oriental Studies in Jerusalem, Tübingen and Berlin. Her dissertation at the Free University there deals with manuscripts of Arabic epic poetry (Metamorphoses of the Epic, Leiden 2003). Ott has taught at several universities and has been an honorary university lecturer since 2013 and an honorary professor at the Department of Arabic and Islamic Studies at the University of Göttingen since 2022. Claudia Ott lives as a freelance literary translator in Lower Saxony. Her main work is the new translation of A Thousand and One Nights for the publishing house C.H.Beck (Tausendundeine Nacht, 2004; Das glückliche Ende, 2016, Das Buch der Liebe, 2022) and its  work ‘1o1 Nacht’ for Manesse Verlag. Claudia Ott is also a musician. She learnt Arabic music (nay/reed flute) in Cairo, studied choral conducting on the side and founded the IBTAHIDSCH Ensemble Celle. Narrative concerts, readings and lectures have taken her to large and small stages throughout the German-speaking world and abroad via the Goethe-Institut. Claudia Ott is also a member of various international ensembles for Arabic Music and co-founder and jury chair of the Coburg Rückert Prize. Claudia Ott is a member of the VdÜ - the professional association of literary translators - and the Weltlesebühne e.V. She herself has been honoured with various prizes and scholarships for her work, including the Cotta Literature and Translation Prize, the Culture Prize of the City of Erlangen, scholarships from the German Literature Fund and the German Translators' Fund, residency scholarships from the Jakob and Emma Windler Foundation Stein am Rhein, a MERCATOR Fellowship from the LMU Munich and many more.

The Hakim epic and its Gotha manuscript

as part of the Gerda Henkel Foundation's Tandem Fellowship at the Gotha Research Centre

in collaboration with Professor Dr Amro Mounir

The Gotha Research Library is particularly richly endowed with manuscripts of the Arabic epic genre. Little is known about this literary genre (Arabic genre name: sīra šaˁbiyya) in research, although these are extensive and extremely popular books in Arabic reception. Mammoth works with up to 70, in one extreme individual case even 81 volumes per copy filled the bookcases of professional storytellers, who read serialised versions to their audiences. But such works, in which Arabic historiography found its popular, epic counterpart full of excitement and adventure, were also popular reading material for private readers for many centuries.

The oldest certificates of the existence of Arabic epics can be found in the 12th century; the oldest surviving manuscripts date from around 1400. They therefore date from the Mamluk period, were mostly written in Cairo, but circulated in all centres of the Arab countries and thus belonged to a similar era and environment as the earliest surviving manuscripts of the Thousand and One Nights. My dissertation Metamorphoses of the Epic (published in Lei den 2003) also deals with the sira šaˁbiyya text type; in it, manuscripts of a representative of the genre are appreciated and analysed in detail, including those from the Gotha Research Library.

The reason why the Gotha Research Library holds so many manuscripts from the world of Arabic epic poetry is that the explorer Ulrich Jasper Seetzen (1767-1811), from whose purchases in the Orient the first collection of the then ducal library was built up, was particularly interested in such texts - and had to be interested in them: the Arabic epics were closely related to the Thousand and One Nights, and manuscripts of the Thousand and One Nights were regarded as status symbols for European libraries in the 18th and 19th centuries.

The manuscript MS. Orient A 2599 is a fragment of such an epic manuscript. It belongs to the Hakim Epic (Sīrat al-Ḥākim bi-Amrillāh), one of the "slimmer" works of the genre with "only" 20 volumes. The epic is of Egyptian origin and is about the eccentric Caliph al-Ḥākim bi-Amrillāh (985-1021), the Fatimid Caliph of Cairo. With its monumental structure, historical and mythological themes, magical motifs and bloody battles, the Hakim epic is reminiscent of works of modern fantasy literature such as "The Lord of the Rings".

There is already some small-scale research on the Hakim epic (see below), but there is a lack of both an edition and a translation. I would like to address this desideratum in collaboration with my Egyptian colleague Dr Amru Munir, who is experienced in this field. A German translation of the Hakim epic based on several manuscripts is in progress; Dr Munir is working on a complete edition based on the same manuscripts.

Relevant preliminary work:

• Claudia Ott: "Where is al-Ḥākim hiding? A search for clues in the Sirat al-Hakim bi-Amrillah and its Berlin manuscript." In: Difference and Dynamics in Islam. Festschrift for Heinz Halm on his 70th birthday. Edited by Hinrich Biesterfeldt and Verena Klemm. Würzburg: Ergon publishing house 2012, 399-410.
• Claudia Ott: "Finally we know ... why, how, and where caliph al-Ḥākim disappeared! Sīrat al-Ḥākim bi-Amrillāh and its Berlin Manuscript". In: Fictionalising the Past: Historical Characters in Arabic Popular Epic. Workshop held at the Netherlands-Flemish Institute in Cairo, 28th/29th of November 2007 in Honor of Remke Kruk. Ed. by Sabine Dorpmüller. Orientalia Lovaniensia Analecta 206, Leuven - Paris - Walpole, MA 2011, 63 72.
• Claudia Ott: Metamorphoses of the epic. Sīrat al-Muǧāhidīn (al-Amīra Ḏāt al-Himma) between orality and writing. Leiden 2003 (CNWS , Vol. 119; Contributions by the Nederlands / Vlaams Instituut in Cairo, Vol. 6).
• Antje Lenora: The Forged Caliph - An Introduction to the Sīrat al-Ḥākim bi-Amrillāh. Theses of the University of Halle 2011, opendata.uni-halle.de/handle/1981185920/7772.